Beautiful Landscapes, Idly Painted

Latest Posts


  • Brand Overview: Daniel Smith

    Brand Overview: Daniel Smith
    ,

    Brand Overview is a series where multiple posters give their opinions on a brand. Previously, we did Schmincke Horadam. Daniel Smith is a professional grade watercolor manufacturer from the United States. Originally founded as an art supply store in 1976 by the printmaker Dan Smith, they are now a manufacturer of watercolor, gouache, and oil…

    Read more…


  • Keeping sky gradients straight behind mountains

    Keeping sky gradients straight behind mountains

    When I’m painting a sunset/sunrise sky with a mountain, I have a tendency to make the sky gradients parallel the mountain ridge, even though that makes no sense. When you negative-paint mountains, it’s just a lot easier to pull the paint along the edge of the mountain than create a straight line independent of the…

    Read more…


  • Sarah Burns’ Glazing vs Mixing Charts

    Sarah Burns’ Glazing vs Mixing Charts
    ,

    Since I’ve been doing a deep dive on glazing through my explorations of Jeanne Dobie’s Making Color Sing chapters on glazing (10, 11) and Don Rankin’s Mastering Glazing Techniques (parts 1, 2, 3), I was curious about other artists’ perspectives on glazed vs mixed colors. I found this 2020 post & video by Sarah Burns…

    Read more…


  • March Madness Week 2 Update!

    March Madness Week 2 Update!

    On Discord we’re doing a bracket where we choose the ultimate favorite pigment. Last week, we blasted through the first 15 polls. This week we finished up round 1: between last week and this week, we’ve now voted on all 50 paints that I entered into the bracket and narrowed it down to 25.

    Read more…


  • Brand Overview: Schmincke Horadam

    Brand Overview: Schmincke Horadam

    Welcome to a new series! In Brand Overview, multiple contributors will provide their opinions and favorite colors from a watercolor manufacturer.  Schmincke Horadam is a professional watercolor brand manufactured in Germany. They offer 139 watercolors, and additional 50 colors in their supergranulating range. On a regular basis they have limited edition colors. Their watercolors use…

    Read more…


  • Multilayered Vision: Making Color Sing, Chapter 12

    Multilayered Vision: Making Color Sing, Chapter 12

    I’m working my way through Jeanne Dobie’s Making Color Sing. For our third straight chapter on glazing, Dobie talks through a complex example of putting together a scene in the glazing method and offers some other glazing ideas.

    Read more…


  • Winter Palette 2026

    Winter Palette 2026

    Ahh, it’s already March! I have to post my latest Winter Palette before it’s irrelevant. I’ve starred the most important colors. Top row: Bottom row: Comparison to other palettes I keep feeling like my palettes are converging and getting more and more similar! This is pretty different from my last winter palette, but it’s quite…

    Read more…


  • March Madness Week 1 Update!

    March Madness Week 1 Update!

    This month over on Discord, we’re doing a pigment bracket to decide our favorite watercolor pigments. I included 50 entrants, chosen from Bruce MacEvoy’s Handprint Top 40 but with a few extras added. We’re just over halfway through round one, so we know at least one of the contenders that will go into each round…

    Read more…


  • Color Spotlight: Quinacridone Pyrrolidone (PR N/A)

    Color Spotlight: Quinacridone Pyrrolidone (PR N/A)

    This quinacridone/pyrrol combo pigment is generally suggested as an alternative to genuine Alizarin Crimson. I have now tried this pigment individually as WN Permanent Carmine; it is also said to be present in WN Permanent Alizarin Crimson, though it is unlisted. (I believe it: it looks very similar.) Pigment stats for Quinacridone Pyrrolidone (PR N/A)…

    Read more…


  •  #OneWeek100People2026

     #OneWeek100People2026

    I wanted to draw everyone’s attention to a fun annual challenge with very simple “rules”: draw 100 people between March 9th and March 13th. Any medium, any size, any source (life, reference, imagination), any level of complexity, with the focus being on quantity, not quality.

    Read more…