Color Spotlight: Terra Cotta (PR102)

A warm, opaque, natural earth pigment that sits somewhere between an earth orange and earth red.

Pigment Stats for PR102

PR102 is a natural iron oxide. In the pantheon of earth shades, it’s the natural equivalent to synthetic PR101 (which is used to make Transparent Red Oxide, Venetian Red, and Indian Red).

Lightfastness: Excellent (untested by me)

Toxicity: Non-toxic, though as ArtisCreation notes, natural pigments can contain trace heavy metals because they come from the dirt.

Observations of Da Vinci Terra Cotta

Da Vinci – Terra Cotta (PR102)

Gradient: Smooth gradient from intense earth orange-red through to a series of peach shades.

Granulating: The first tube I bought in 2023 did not appear granulating, but a tube I bought in 2025 did appear strongly granulating (see comparison below).

Opacity: I initially said semi-opaque but on retrying, I now would classify it as fully opaque. Not as unbelievably so as Indian Red, though.

Strength: Very strong. Easily overpowers mixes.

Brush Feel: Lovely. Easy to rewet. Nontacky.

Comparison to Other Colors

Burnt Sienna, Indian Red

From left: DV Burnt Sienna; DV Terra Cotta; DV Indian Red

Slightly higher chroma than burnt sienna; significantly more orange than Indian Red.

Comparison to Other Brands

Holbein – Light Red (PR102)

Holbein – Light Red

Some brands, like Holbein, call this color Light Red, which is kind of funny because it’s closer to orange or brown IMO. Holbein’s version was a bit redder than DV’s, though, as well as weaker and less vibrant (more on the brownish side). It lacks the range of values for me to make it a really useful color.

Compared to Holbein’s Burnt Sienna, it’s much redder. However, I find Holbein’s Burnt Sienna a bit golder than many.

Light Red vs Burnt Sienna

Winsor & Newton – Light Red

Winsor & Newton – Light Red (PR102)

I really like this quite orange version, but it’s just a bit annoyingly weak (I had to do a few rounds to get this deep color in masstone; the lower bar is more representative.) Transparent and non-granulating.

Cotman also has a colored called Light Red (favored by Ron Ranson), but it’s much closer to Venetian Red.

Greenleaf & Blueberry – Red Ochre

Greenleaf & Blueberry – Red Ochre

A gentle, earthy, semi-opaque version, between TRO and Indian Red in hue.

Color Mixes

Brilliant Hansa Yellow (PY74)

Letter Sparrow Sunflower (PY74) + DV Terra Cotta (PR102) on Canson XL

Nickel Azo Yellow (PY150)

MI Green Gold (PY150) + DV Terra Cotta (PR102) on Canson XL

Geranium Red (PR242)

DV Terra Cotta (PR102) + SH Geranium Red (PR242) on Canson XL

Indanthrone Blue (PB60)

DV Indanthrone Blue (PB60) + DV Terra Cotta (PR102) on Canson XL

Cobalt Blue (PB28)

DV Cobalt Blue (PB28) + DV Terra Cotta (PR102) on Canson XL

Indigo

HO Indigo + DV Terra Cotta (PR102) on Canson XL

Phthalo Blue Red Shade

HO Phthalo Blue Red Shade (PB15) + DV Terra Cotta (PR102) on Canson XL

Phthalo Turquoise

DV Terra Cotta (PR102) + WN Phthalo Turquoise (PB16) on Canson XL

Phthalo Green

DV Terra Cotta (PR102) + DV Phthalo Green Yellow Shade (PG36) on Canson XL

What Other Say

Its name suggests otherwise, but Light Red is quite a dull, earthy color. More of a red-brown, it is an opaque color. However, when mixed with blues, it creates some useful grays, which can be used in shadow areas.

David Webb, Painting in Watercolor: The Indispensable Guide (2016), p. 35

My Review

I wasn’t impressed by the first PR102 I tried, Holbein Light Red, but I enjoyed DV’s much stronger version. It mixes in a similar way to my favorite Transparent Red Oxide, but it is opaque, which limits its value range and makes for solid-looking mixes that can tend toward muddiness.

There are a couple of drawbacks; I found in dry environments that it dried a bit unevenly, and it has a drying shift, losing vibrance when it dries, especially in tints and mixes.

Favorite version: Da Vinci!

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Da Vinci Terra Cotta, 8ml tube: Da Vinci

Da Vinci Terra Cotta, 15ml tube: Da Vinci | Blick | Utrecht

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